Show Time the 50 Most Influential Exhibitions of Contemporary Art

CONTEMPORARY ART MOVEMENTS

PUBLISHER D.A.P./Distributed Art Publishers Volume FORMAT Hardcover, viii x 10.25 in. / 256 pgs / 187 color / 15 bw. PUBLISHING Condition Pub Engagement 3/31/2014 Active DISTRIBUTION D.A.P. Exclusive Catalog: Spring 2014 p. 3 PRODUCT DETAILS ISBN 9781938922336 Merchandise List Cost: $24.95 CDN $33.95 AVAILABILITY In stock

�A fascinating survey of groundbreaking exhibitions from the 1980s through to now . . . the selection shines with the inquiring intelligence and applied know-how that make Jens Hoffmann one of the nearly inventive of contemporary curators.� �Terry Smith

D.A.P./DISTRIBUTED Art PUBLISHERS Evidence Time: The 50 Most Influential Exhibitions of Contemporary Art Edited and with text by Jens Hoffmann. Conversation with Hans Ulrich Obrist, Massimiliano Gioni, Maria Lind, Jessica Morgan, Carolyn Christov-Bakargiev, Adriano Pedrosa, Mary Jane Jacob. This monumental new book explores the contempo history of exhibition-making, looking at the radical shifts that take taken identify in the practice of curating contemporary art over the last twenty years. Tracing a history of curating through its virtually innovative shows, renowned curator Jens Hoffmann selects the fifty key exhibitions that have most significantly shaped the practice of both artists and curators. Chosen from the plethora of exhibitions, biennials and fine art events that accept sprung upwardly across the world since the 1990s, each exhibition reviewed here has triggered profound changes in curatorial exercise, and reanimated the potential of gimmicky art. The book includes an international roster of curators, and exhibition venues that span the globe, from the United states, Mexico, Brazil and Southward Africa to France, Germany, the Netherlands, Turkey and Spain. It is comprised of nine themed sections, including: "New Lands" (on shows such equally Magiciens de la Terre, The Curt Century and Later on the Wall); "Biennial Years" (which documents influential biennials such as the Documentas [ten, 11, 13] and the Berlin and S�o Paulo Biennials); "New Forms" (including experiments in exhibition-making such as Do It and NowHere); "Others Everywhere" (on �identity politics� shows such equally In a Different Low-cal, Phantom Sightings and the 1993 Whitney Biennial); "Tomorrow�due south Talents Today" (on influential grouping exhibitions of emerging artists such every bit Helter Skelter and Sensation); and "History" (on historical surveys such as Inside the Visible, Global Conceptualism and WACK!). A assuming proposition for the future of exhibition civilisation too equally a means of making the recent by accessible, Show Time is essential reading for whatever student of curating or museum studies, for professional person curators and for all those interested in one of today�due south about dynamic forms of cultural production. Jens Hoffmann is an exhibition maker and writer based in New York. He is Deputy Director and Head of Exhibitions and Public Programs at The Jewish Museum, New York. He has curated and co-curated a number of large-scale exhibitions, including the 2nd San Juan Triennial (2009), the 12th Istanbul Biennial (2011) and the ninth Shanghai Biennial (2012). Featured image: Ros�ngela Renn�, "Guerrero portrait from the United States" series (1997), inSITE97, diverse sites in San Diego, USA, and Tijuana, Mexico, 1997. Courtesy inSITE. � Ros�ngela Renn�, photo Eduardo Zepeda. PRAISE AND REVIEWS We Make Money Non Art Regine Debatty Bear witness Time examines the most game-changing and risk-taking exhibitions of the past xxx-ish years�. The book surprised me. I knew I�d find cute images, compelling ideas and elegant texts in at that place and I haven�t been disappointed�. definitely puts the whole curatorial practise into a more than challenging and �challengeable� perspective. Artspace Ian Wallace It's a must-read for the fine art history nerds out in that location, and a fascinating introduction to a nascent field for anybody else. Canadianart It's appropriate that Hoffmann-who has built his career on remounting historically meaning exhibitions�should be the brains behind this definitive list. Though the exhibitions Hoffmann has chosen to highlight have little commonality in their geographies, artworks or even curatorial methodologies, they share a preoccupation with what curation ways today, and how curators might accept charge of staging experiencies with artworks. ArtNews Zo� Lescaze With fact sheets for every show, both legendary and bottom known, the book feels like an essential field guide to the by 20 years of curatorial innovation�. a good swath of exhibitions, from South Africa to S Carolina, that illustrate the controversial nature of exhibiting art. University of East Anglia Robert Radford Of definite benefit to both professional curators and all who aspire to join their number... CHOICE C.B. Cannon Hoffmann (The Jewish Museum in New York) focuses his analysis on 50 fine art exhibitions that primarily took place mail service-1990. This date is meaning since information technology marks the end of the Cold War and the beginning of the globalization of the art globe. The selected shows demonstrate innovative curatorial practices and document the evolution of the curatorial profession in an increasingly multicultural earth. The exhibitions are presented thematically rather than chronologically. Topics include exhibitions in public spaces; the artist as curator; multidisciplinary exhibitions; the international fine art biennial and its function in shaping gimmicky fine art; sociopolitical issues; and underrepresented fine art and artists, such as not-Western artists and performance work. Each chapter includes a cursory overview and five to eight exhibitions that illustrate the theme, including dates, locations, curators, contributing artists, installation photos and floor plans, and information near the exhibition catalogue and promotional materials. Although international in scope, the exhibitions took place mainly in Europe and North America. The book concludes with an interview with seven international curators and suggested readings for further consideration of the history of curatorial practice. Summing Upwards: Recommended. Upper-sectionalization undergraduates through professionals/practitioners. My Modern Met Kelly Richman-Abdou I of fine art history�due south more modern must-reads. Curator and Director and Caput of Exhibitions and Public Programs at The Jewish Museum Jens Hoffmann has selected a list of shows that have �triggered profound changes in curatorial practice, and reanimated the potential of gimmicky art� since 1990�. Testify Fourth dimension presents these footing-breaking exhibitions in an engaging and easy-to-follow manner.	in stock $24.95 Free Aircraft UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
FROM THE Book EXHIBITIONS INCLUDE Sculpture Projects M�nster 1977, 1987, 1997, 2007 � Magiciens de la Terre 1989 � Helter Skelter 1992 � Mike Kelley: The Uncanny 1993 � This Is the Show and the Prove Is Many Things 1994 � Inside the Visible 1995 �In a Different Light 1995 � Traffic 1996 � Sensation 1997 � Cities on the Move 1997�98 � 24th S�o Paulo Biennial 1998 � The Museum as Muse 1999 � Global Conceptualism 1999 � Freestyle 2001 � The Brusk Century 2001 �Century Urban center 2001 �WACK! Fine art and the Feminist Revolution 2007 �What Keeps Flesh Alive? 2009 � Documenta (13) 2012. CURATORS INCLUDE Iwona Blazwick � Francesco Bonami � Nicolas Bourriaud � Cornelia Butler � Dan Cameron � Carolyn Christov-Bakargiev � Catherine de Zegher � Okwui Enwezor � Charles Esche � Massimiliano Gioni � Thelma Golden � Hou Hanru � Damien Hirst � Mary Jane Jacob � Joseph Kosuth � Jean-Hubert Martin �Kynaston McShine � Jessica Morgan � Hans Ulrich Obrist � Adriano Pedrosa � Paul Schimmel � Fred Wilson
FROM THE ARTBOOK BLOG CORY REYOLDS | DATE 4/ix/2014 Evidence Time: The 50 Most Influential Exhibitions of Contemporary Art In the April 7 edition of Artspace , Ian Wallace writes, "Jens Hoffmann is positioning himself to be a major role player in this emerging field of the exhibition-as-exhibition-history: his almost recent book Show Fourth dimension: The 50 Most Influential Exhibitions of Contemporary Fine art, published by D.A.P., is a useful compendium of the almost important museum exhibitions, biennials, and experimental exhibition projects from the late 1980s through today, offering a thorough look at art exhibitions from the past xxx years that have dramatically altered the way artists, curators, and art patrons feel the contemporary exhibition. It's a must-read for the art history nerds out there, and a fascinating introduction to a nascent field for everyone else." Featured image, Ayşe Erkmen's 1997 "Sculptures on Air" installation for Sculpture Projects M�nster 97, is reproduced from Show Time. continue to blog FROM THE ARTBOOK BLOG CORY REYNOLDS | Appointment 3/3/2014 Show Time: The 50 Virtually Influential Exhibitions of Contemporary Art As New York prepares for The Armory Show and the 2014 Whitney Biennial, both opening this calendar week, we are pleased to denote Evidence Time: The 50 Nigh Influential Exhibitions of Contemporary Fine art by Jens Hoffmann. Of the "watershed" 1993 Whitney Biennial, curated past Elisabeth Sussman, Thelma Gold, John Hanhardt and Lisa Philips, he cites "a maelstrom of negative criticism, almost of which defendant it of being overly academic, aesthetically poor, and politically dislocated," while quoting the curatorial argument emphasizing an emphasis on artworks that "'confront such dominant current problems as class, race, gender, sexuality, and the family.' Other sociopolitical issues under consideration included Western imperialism and the mounting AIDS crunch. Information technology was the well-nigh ethnically diverse Whitney Biennial to date. Information technology also included a big number of women artists and, artists who were openly gay." Featured image, Daniel J. Martinez' Museum Tags: Second Movement (Overture) or Overture con Claque (Overture with Hired Audience Members) (1993), is reproduced from Hoffmann'due south chapter on the 1993 Whitney Biennial. continue to blog
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